The Worried Writer Episode #16: Cesca Major ‘Being rejected is hideous’

cesca_wwheader

howtofindyourfirsthusbandthe silent hoursMy guest today is Cesca Major. Cesca is a fascinating interviewee as she writes in two genres under different names. Cesca’s debut historical novel, The Silent Hours, was published last year by Corvus, to great acclaim. However, Cesca also writes romantic comedy under the name Rosie Blake. The first Rosie Blake book, How To Get A (Love) Life, was originally published by Novelicious Books and was then picked up by Corvus, as part of a three book deal.

Rosie Blake’s latest novel is How to Find Your (First) Husband – out 2nd June, 2016!

The Silent Hours by Cesca Major
For more about Cesca Major or her alter ego, Rosie Blake, head to: cescamajor.com or rosieblake.co.uk or via

Twitter: @CescaWrites and @RosieBBooks

In the interview:

Writing during the holidays as a teacher and the value of chunks of time:

‘I do hour long chunks and I call them word races.’

 

On the difficulty of writing:

‘It’s hideous sometimes and the first five minutes can be awful…’

 

 ‘The hardest stage I find is that end of the first draft structural edit’.

 

On rejection and the journey to publication:

‘Frankly, being rejected is hideous and you have months at the start where you lost faith that it will ever happen.’

On bad writing days:

‘Don’t beat yourself up too much, have a cream egg.’

Recommendations:

Cesca very kindly recommends my ‘Write Your Novel’ column on Novelicious.

The Bookshop Café FB group: ‘It’s lovely to be part of a group where people are just constantly discussing novels.’

Cesca’s own vlogs on writing and editing on The Writers & Artists site.

The beat sheet described in Blake Snyder’s Save the Cat: The Last Book on Screenwriting You’ll Ever Need

The LOCK principle from James Scott Bell’s Write Great Fiction – Plot & Structure: Techniques and Exercises for Crafting and Plot That Grips Readers from Start to Finish
On the importance of using primary sources for historical research: Nella Last’s diaries (Housewife, 49 etc)

Also in the show:

I give a small update on my own writing and reveal my plan to get The Language of Spells made into an audiobook!

I’m very excited to dip my toe in hybrid publishing. If all goes well, I will get The Secrets of Ghosts and The Garden Of Magic made, too. I’m using ACX which is a platform which connects people who own audio rights to books such as publishers and authors, with narrators and audiobook production companies.

I first heard about ACX via the wonderful Joanna Penn at The Creative Penn and I’ve also read Simon Whistler’s excellent guide to the subject Audiobooks for Indies.

I will keep you informed on the process as I go along!

Listener Question:

This month’s question comes from Jeanna Kunce (windhillbooks.com).

Do you feel it is important to be a part of any writers/artists associations? Aside from any conferences or networking benefits there may be, do you think you think it makes a difference simply having on your resume/submissions? Would it actually help someone get their foot in the door? Some people seem to feel it’s only your story that will get you published; others seem to feel that having that “badge” helps to make you seem more serious or professional. Thoughts?

If you have a writing (or publishing) question that you’d like me to tackle in a future episode, please get in touch via email or Twitter.

I’ll answer it on the show and credit you (unless, of course, you ask to remain anonymous).

Please spread the word and, if you can spare the time, leave a rating for the show on iTunes. I truly appreciate your support.

Thank you for listening!

Episode #04 The Worried Writer: A Conversation with thriller author C.L. Taylor

ww_ep4_imageIn this episode I chat with Cally Taylor about hopping genre, developing craft through short stories, getting the writing bug, and typing while walking on a treadmill.

Cally Taylor wrote two sparkling romantic comedies, Heaven Can Wait and Home For Christmas, before turning to dark psychological suspense under the name C.L. Taylor. The first of these, The Accident, was hugely successful, shooting up the Kindle charts and selling over 150,000 copies in the UK alone. Last year, Home For Christmas was made into a film by JumpStart Productions and, since this interview was recorded, Cally’s second thriller, The Lie, has shot up the bestseller charts.

For more on Cally and her books, visit her website CLTaylorauthor.com or follow her on Twitter @callytaylor

Books recommended by Cally:

Into The Woods: How Stories Work and Why We Tell Them by John Yorke

The Story Book: A Writer’s Guide to Story Development, Principles, Problem-solving and Marketing by David Baboulene

Cally mentions the importance of taking ‘artist dates’ as recommended by Julia Cameron in The Artist’s Way: A Spiritual Path to Higher Creativity

Also, I mention that my debut novel, The Language of Spells is now available in paperback (meep!)


and I recommend a book I’ve been enjoying this week: The Art of Asking by Amanda Palmer

 

Listener question:

This episode’s listener question comes from Maggie Jones – thanks, Maggie!

‘How ‘sucky’ can a book be when you send it in?!’

‘This question is definitely something I struggle with as I have very little confidence in my own work and never feel that something is good enough or even safely passed the ‘it sucks’ stage.

And therein lies the problem. We are probably not the best people to judge the suckiness or otherwise of our work.

Also, it’s worth remembering that ‘sucky’ is a subjective term. I think it might have been Jenny Crusie who said ‘your book is not a $100 bill, not everyone is going to like it’ and that is so true.

There may be published books that you don’t like, that other people love.

So, a book’s merit is a subjective thing. There is no opposite to ‘sucky’ which is ‘perfect’, only opinion on what is good or bad or fun to read or boring.

Once you’ve accepted that there isn’t an ideal you can achieve before sending your work out, you only have to ensure that it’s as good as you can make it.

Whether you’re sending your book to an agent, an editor or hitting ‘publish’ yourself to put it into the Amazon store, there are steps you can take to make sure that it’s ready.

Things like finishing it first, and rewriting it as much as you can stand to get it into the best possible shape. You can also get perspective through feedback from critique partners or by letting it rest before you edit for a final time. Four to six weeks is a good amount of time to leave it, so that when you come back to it you can see it anew. When I do this, I find I can detach my writer self from the reader, and I often find there are plenty of things I like – and have forgotten writing. It’s like magic. It also makes the dull or awkward or confusing parts glaringly obvious.

I hope that helps, Maggie. Thanks again for the great question.’

Got a question about writing or creativity?

If you’ve got a writing-related question that you’d like featured on the show, please don’t hesitate to ask.

I’ll answer it on the show and credit you (unless, of course, you ask to remain anonymous).

Please spread the word and, if you can spare the time, leave a rating for the show on iTunes. It would really help me!

Thank you for listening!